![]() Jerome Robbins, originally Jerome Wilson Rabinowitz (1818-1998), was responsible for the musical’s concept its story or “book” was by Arthur Laurents (1917-2011), the lyrics composed by Stephen Sondheim (1930-2021). It was the musical West Side Story with its score by the masterful Leonard (Louis) Bernstein (1817-1990) that provided the most direct evidence of the immense influence of Jewish culture on what we think of as a quintessentially American theatrical production. Further, Hindin played an ascending pattern of notes that he asserted is typical of Jewish liturgical music. The more theatrical “Yiddle On Your Fiddle, Play Me Some Ragtime,” from the same period was demonstrated by Hindin on the piano to have a melodical association with the song, “Hatikvah,” Yiddish for “Hope.” Another correlation Hindin highlighted was how a very old folk song, the basis for Israel’s National Anthem, was referenced in Berlin’s “God Bless America” made famous by Kate Smith’s 1938 recording. ![]() ![]() He was a self-taught pianist who had an unexpected hit in 1911 with “Alexander’s Ragtime Band” recorded by Emma Carus. One Jewish immigrant by the name of Israel Beiline, who would Americanize his name to Irving Berlin, was born in Belarus. The names Molly Picon and Fanny Brice are associated with this time period. (In 1955 popular music changed with the advent of rock-and-roll to being guitar-oriented.) Jewish settlement in the Lower East Side of Manhattan, numbering 1.5 million in 1920, supported the development of the Yiddish Theater there. He explained up front that the period from 1915 to 1955 was a time when popular music was piano-oriented pianos being the instrument of home entertainment before the era of radios and TVs. However, Hindin was to take us on a trip further back in time, to the waning days of Vaudeville and the time of mass Jewish immigration (1890-1920).Ī 1924 recording of George Gershwin’s “Rhapsody in Blue” by the Paul Whiteman Orchestra set the stage for a deep dive into Hindin’s subject. Since Dylan is a Jew, I expected he would be featured in some way during this presentation. When one brings up “the great American Songbook” it immediately brings to my mind what Dylan’s exploration of that genre was labeled when he came out with his triumvirate of albums, Shadows in the Night (2015-ten songs made famous by Frank Sinatra), Fallen Angels (2016) and Triplicate (2017). For anyone interested in the cultural evolution of music, it was a fascinating delve into how traditional Jewish melodies worked their way into America’s popular music culture. In this case it was brought to us by the Mordechai Kaplan Fund, RBC Wealth Management and North Shore Band. The program was at Temple Israel where the pianist, Wisconsin native and New Yorker Bill Hindin performed and presented “The Great Jewish American Songbook.” This is a show he’s presented numerous times around the U.S. ![]() So I went solo to join an audience of about 70 people. The friends I invited to accompany me all declined so as not to miss one minute of sunlight before cold temperatures set in. So what did I do? Attended an afternoon concert, of course. 15 was a perfect fall day – temps in the low 60s, blue sky, sunshine spotlighting leaf colors at their peak. it has demo tracks that you can play along with as well.Sunday, Oct. The Speaker is powerful enough that you can hear yourself practice, and it is able to handle polytones with ease. The convenience of being able to roll this out and play when and wherever you like wont be lost on anyone. With all of the keys being color coded and the music made for these written in color you can be playing a song in no time without knowing how to read Staff. This Roll out piano by Mukikim is a great learning tool for any age.
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